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Artist, Photographer, Designer

A bit about me.

Throughout my life I have worked in the creative industries, shaping ideas into reality, from concept to delivery.

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​​Through photography and visual arts, film and television production, course planning and delivery, events management, community-based programs and podcast producing, I have worked solo and in large and small teams. And so it continues with website and graphic design, photography and my own photographic-based art practice.​​

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Artist Bio.

Australian photographic artist, Genevieve Ginty, creates immersive imagery that frequently examines themes of fragility, environmental care, and the Anthropocene. Her evocative portraits of the landscape seek to place the viewer directly within the frame, fostering a visceral sensory connection, while her conceptual work in ‘Preserving’ (2023 - ongoing) interrogates our inextricable relationship with our environment - and it’s/our future. Previous series’ explore allegories of love and loss through still life compositions (The Yellow Jug and other Stories’, 2023-25), as well as abstract impressionism in the landscape (Shimmer, 2022).

Genevieve’s practice combines digital and analogue techniques, as well as mixed media.

Recent Exhibitions

Meandering: in search of tomorrow

The Cottage, Brooklyn & Dangar Island Depot

7th March - 12th April 2026

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The Yellow Jug and other stories

A Head On Photo Festival exhibition Open Program

Sappho Books, Cafe and Bar

5th November 2025 - 7th January 2026

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Selected. A curated Photography & Printmaking exhibition.

CBD Gallery, 72 Erskine St, Sydney, NSW

1st February  - 24th February 2024​

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The Yellow Jug and other stories

Dangar Island Depot, Dangar Island, NSW

4th September  - 16th October 2023

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Shimmer - A joint exhibition with Martin Cole.

The Cottage, Brooklyn, NSW

24th September - 20th November 2022

 

The River - A group exhibition

The Cottage, Brooklyn, NSW

1st May - 23rd May 2021

 

Living by the River - A group exhibition

The Cottage, Brooklyn, NSW

19th October - 30th November 2019

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Blue

Dangar Island Depot

11th July - 11th August 2018​

Publications

ArtDoc Photography Magazine, 2024

Online Exhibition: 'Expressive Nature', August 2024

Online Exhibition: 'Invisible Threads' June 2024

"Hope is an axe", Groundswell Giving, 2023​

Art/Edit + Interior Design, 2023, issues 35, 37

​Wonderground Journal, 2021, issue 2​​

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Awards

Ravenswood Australian Women's Art Prize, 2026

'Tomorrow' - Finalist

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Lethbridge Landscape Prize, 2026

'Tomorrow' - Finalist​

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Wyndham Art Prize, 2026

'Preserving: item 744' - Finalist

 

Hornsby Art Prize, 2025

''The Future' - Finalist

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Gosford Art Prize, 2025

''Preserving: The Future' - Finalist

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MAGAM NSW -Environmental Art and Design Award, 2025

'The Future' - Finalist

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MAGAM NSW -Environmental Art and Design Award, 2024

'Preserving: item 744' - Finalist

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Soho Art Prize, 2024

The Depths of Light - Finalist

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One Shot Photography Award, BBA, Berlin, 2024

'Preserving: item 744' - Finalist

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The Landscape Awards, 2024

Great Egret - Highly Commended

Spring in the Snowys - Morning Light - Highly Commended

Dyarubbin 26.01.23 - Commended

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Australian Centre for Contemporary Photography, 2023

'Preserving: item 744' - Grand Prize

'Preserving: item 744' - Best Studio Photo

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MAPh William and Winifred Bowness Award, 2023

'Preserving: item 744' - Finalist​

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The Landscape Awards, 2023

Gunyah Point - Commended

Dyarubbin 26.01.23 - Commended

Jump Rock at Jerusalem Bay - Commended

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The Australian Photography Mono Awards, 2022

Drawn In - Highly commended

Wild and Free - Commended

Geological Way - Commended

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Gosford Regional Gallery Art Prize, 2022

After |  The Dance - Finalist

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Head on Photo Festival, 2022

Dark Waters - Semi-finalist

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Gosford Regional Art Prize, 2018

Phillica - Finalist

Lilypods - Finalist

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Sydney Morning Herald Photography Award, 1990

Phoebe - Winner, best photograph

Bio and CV
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© Genevieve Ginty 2026

I acknowledge the Traditional Owners of Garigal, Guringai, Dharug and Darkinjung Country, the land where I work, live and play. I acknowledge all Aboriginal and Torres Strait Islander Traditional Custodians of Country and recognise their continuing connection to land, sea, culture and community.

I pay my respects to Elders past and present.

 This beautiful land that I love and protect was, and always will be Aboriginal Land.

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